Vol. 23 No. 2 (2020)

Articles

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  A Minimalist Account of Structural Case Assignment in Pashto Dative Constructions

  Talat Masood, Mujib Rahman

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  Comparative Study of English Textbook I of Federal and Khyber Pakhtunkhwa Boards at SSC Level: Application of Bloom's Taxonomy

  Arshad Mahmood, Sidra Mahmood, Muhammad Waleed Butt

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  Underlying Negative Stems: Load shifted Evidence from negatives in nominal clauses

  Al Zahrani Mohammad

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  Fathers in a Dynamic Age Efforts of Provider in Early Novels of George Eliot

  Tahira Jabeen, Nadeem Haider Bukhari, Muntzar Mehdi

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  Loanword Adaptation at Suprasegmental Level in MP- Monolinguals

  Sehrish Shafi

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  The Role of Love in the Making of John Keats’ Early Poems and Letters

  Yousef Bakhshizadeh Gashti

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  Neoliberalism and Contemporary Pakistani Fiction: Water, (post)Development and Commodification in Mohsin Hamid’s “How to get Filthy Rich in Rising Asia”

  Munazzah Rabbani, Naveed Ahmad Chaudhary

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• Morpho-phonological Similarities in Indo Aryan Languages- A Descriptive Account

  Riaz Ahmed Mangrio, Muhammad Javed Iqbal, Zafeer Hussain Kiani, Rashida Imran

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  Mr. Ramsay’s Idiosyncratic Mind Style: Cognitive Explication through Blending Theory

  Fatima Khaliq, Rubina Rahman

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  Maya Angelou — A Writer Who Poetically Dares to Defy Racism

  Shamaila Dodhy, Ayesha Saeed

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  Deciphering Visual Languages: Lahore and Kashmir Book Art of 19th century

  Nausheen Abbas, Rukhsana Said

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  More than Alienation: A Comparative Study of Katharine Mansfield’s ‘Miss Brill’ and Peter Carey’s ‘Life and Death in the South Side Pavilion’

  Muhammad Imran, Shabbir Ahmad, Mahenau Awan, Assistant Professor, Bahauddin Zakaryia University, Multan

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  Postmemorial Reflections and Mestiza Consciousness: Nimmo in Anita Rau Badami’s Can you Hear the Nightbird Call?

  Saiqa Siddiq Khan, Saiyma Aslam

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  Spatial Memory, Traumatic Unspeakability and the War in Afghanistan: Selected Literary Witnessing in Focus

  Inayat Ullah, Rubina Kamran

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  The Twilight of 9/11 and Altered ‘Political Action’: A Reading of Pakistani Anglophone Fiction

  Rabia Aamir

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